An Art Critic in Ethiopia

Published on April 22, 2012

From Holland Cotter's article on his visit to the sunken churches of Lalibela: A priest, in white, stood at a lectern and read aloud from an illuminated book as a European video crew fussed with sound checks, then asked him, please, to start again. To an outsider the general impression was confusing, disconcerting. Can this newish, nondescript, somewhat disheveled, in-progress space really be the physical and psychic center of one the world’s oldest versions of Christianity?

From Holland Cotter’s article on his visit to the sunken churches of Lalibela:

A priest, in white, stood at a lectern and read aloud from an illuminated book as a European video crew fussed with sound checks, then asked him, please, to start again. To an outsider the general impression was confusing, disconcerting. Can this newish, nondescript, somewhat disheveled, in-progress space really be the physical and psychic center of one the world’s oldest versions of Christianity?

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