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The Revealer
In the World ![]() Thanks to a generous two-year grant from the Henry Luce Foundation The Revealer is going global with news and analysis about media and religion around the world. [ Read more ] |
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egypt10 May 2012By Abhimanyu Das Namir Abdel Messeeh’s highly entertaining documentary The Virgin, the Copts and Me is a curious beast, a bit like one of those clever New Yorker articles that start off making you think it’ll be about Batman but end up being about the tax obligations of the 1%. Only, in this case, it’s not entirely clear whether the thematic sleight-of-hand was artistic choice or just lucky accident. Either way, this narrative slipperiness is both what’s interesting and troublesome about this frustrating picture, easy to like but difficult to recommend. The saga begins with the French-Egyptian filmmaker (the family emigrated to France in 1973), sitting down with his family to watch a fuzzy videotape of an alleged sighting of the Virgin Mary. Further discussion reveals that this is one of a spate of such sightings, experienced mostly by the oft-persecuted Christian Coptic community in Egypt. Interestingly, a few Muslims had claimed to experience these holy visions as well. This curious cultural hook is all Messeeh – a secular skeptic – needs to decide on making a documentary about the phenomenon. The film’s tendency toward distracting self-referentialism is already front-and-center. Messeeh spends a chunk of time ‘documenting’ his attempts to find a financier and win his family over to the project’s cause. All this is done with great comic flair. We get an early introduction to the most memorable character in the film – his domineering mother Siham who continually expresses doubts about her son’s ability to pull this off. Unfortunately, much of this feels staged. It seems unlikely that Messeeh happened to have an HD camera running at a family gathering during which he is hit by a perfectly blocked creative epiphany. The film is full of what look to be staged scenes, contrived narrative setups and pre-arranged dialogue, raising the question (unintentionally, in my view) of whether this is a documentary at all. Messeeh is in every scene, an unapologetic puppet-master. At every turn, the developments feel arranged as opposed to observed. The latest issue of Cultural Anthropology features an article by Revealer writer Yasmin Moll (read the entire issue here) titled, “Building the New Egypt: Islamic Televangelists, Revolutionary Ethics, and ‘Productive’ Citizenship.” (You can read Yasmin’s article and the entire issue here. You can read Yasmin’s articles for The Revealer here.) From Khaled Fahmy’s article, “Women, Revolution, and Army” in the Egyptian Independent:
(h/t Marilyn Young) Worth the Wait: It may have taken 1,500 years but the Talmud finally has an index. Reuters reports that Egypt’s Coptic Christians are receiving an unprecedented amount of foreign support; subsequently they fear “a backlash from Muslims who could resent special attention to a minority at a time when all Egyptians are suffering economic hardship and political uncertainty.” Which reminds us of a provocative article by Marc Michael that Al Jazeera posted in November. Of the march by Coptic Christians on October 9th that led to 20 deaths– a march protesting not the Egyptian government but the burning of a building that was slated to become a church–Michael writes:
Media in the West love the narrative that godless, Communist Russia eventually fell to the relentless, holy hand of capitalism (to be specific, the one at the end of Ronald Reagan’s right arm). Now that communism is gone, lookee there! Russians are flocking to view Our Lady’s Belt. Visitors are required, because of the outrageously long lines, to wait an average of 26 hours to see the “cincture” of the Virgin Mary, on display thanks to the Russian Orthodox Church. Perhaps a sign that communism is gone: it is reported by impatient visitors that a separate line exists for VIPs. And then there’s the marketing. RT writes:
Perhaps a sign that communism is not forgotten: the church had to adjust the display of the belt to more swiftly move visitors by it. Their new flow of veneration sounds like the one used in Lenin’s tomb: keep the worshipers in order and shuffle them efficiently past the relic. New York Judge Jed S. Rakoff told the Securities and Exchange Commission not spare the rod with Citigroup. From Fox News, a lengthy story on Al-Qaida’s impersonation of Christian missionaries in Africa. So last century! Kamran Pasha at Illume reminds us that women have been playing dominant roles in Islam for a long time. Minority Rights are a “Special Privilege;” Next to Newt’s Godliness; Tebowing the Spotlight; Catholic Attitude; Because Your Military Rulers Said So; The Sui Juris of Citizenship From Marc Michael’s “Is liberalism killing the copts?” at Al Jazeera:
Amy Levin: What would Muslim drag look like? Something like this? Yesterday, the AHA Foundation shared a link on their twitter account to an article titled “Egyptian Women’s Group Calls on Men to Try the Veil.” Aliaa El Mahdy, an Egyptian university student, created a facebook page called “Resounding Cries,” which asks Egyptian men to post photos of themselves donning the hijab (Muslim veil). Since the launch of the page on November 1st, dozens of Egyptian men have heeded the call. Mahdy feels that it is unjust that only women are required to wear the hijab, which reflects the unequal status of women in Islam. Yasmin Moll, a Ph.D. student in socio-cultural anthropology at NYU, has been our woman in Cairo, reporting what she saw during and after the protests that led to the end of Hosni Mubarak’s 30 year reign. I asked Yasmin last week what she thought of George Friedman’s analysis of the events. Friedman, editor and CEO of Strategic Forecasting, or Stratfor, a Texas-based global intelligence service, writes in “Egypt: The Distance Between Enthusiasm and Reality“:
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