Gale Kenny reviews Andrew Preston's new book, "Sword of the Spirit, Shield of Faith: Religion in American War and Diplomacy," a narrative history of foreign policy and piety in America.
By Ed Simon A review of Afterlives of Saints, in which author Colin Dickey examines that borderland where saints and sinners alone exist, oftentimes within the same person.
by Nora Connor His sociology is methodical, clear and convincing, but he’s bringing a slide-rule and a pocket protector to a gunfight.
What does it mean to pursue, inhabit, or lead a valuable, ethical life in a secular age? Are we living in a post-secular world? A review of two new essay collections.
An excerpt from Afterlives of the Saints: Stories from the Ends of Faith (Unbridled Books, 228 pp.) by Colin Dickey. Much of the actual life of George is lost to history, if he was in fact a real person.
by Rachel Riederer It’s difficult for me to conceive of the memorization of scripture as even a mildly progressive act, let alone a radical one. But The Light in Her Eyes...sets out to prove that it is.
by Narges Bajoghli It's true that mass media have been used (and still are, in some contexts) as a means of social engineering...Nonetheless, it's imperative to remember that the state cannot control how people interpret what they see.
by Abhimanyu Das The Church of England inhabits a unique place in this busy trafficking of religious stereotypes. They're the Church that's known for being, well, not that religious.
By Nathan Schradle The Revisionaries, a documentary about the Texas State Board of Education, debuted at this year’s Tribeca Film Festival.
Reverse Mission: Transnational Religious Communities and the Making of US Foreign Policy By Timothy Byrnes. Georgetown University Press, 2001. 216 pp. by Frances Kissling Timothy Byrnes is an engaging academic political scientist who has written extensively and wisely on religion and politics, particularly the political role of the institutional Catholic church (see Transnational Catholicism in Postcommunist Europe, Rowman &...
A review of The World Before Her, now showing in the Tribeca Film Festival. by Natasha Raheja The opening sequence of director Nisha Pahuja’s documentary The World Before Her cuts sharply between salwar kameez and swimsuits, Marathi and English, Bombay and Aurangabad, stilettos and chappals, open hair and plaits, bhangra beats and nationalistic hymns, saffron and...